Abstract Expressionism and the New York School
In the aftermath of World War II, New York City emerged as a new center of the art world, with Abstract Expressionism becoming the dominant movement. Artists such as Jackson Pollock, Mark Rothko, and Willem de Kooning sought to convey emotion and meaning through abstract forms, often using large canvases and unconventional techniques. Pollock’s drip paintings, for example, involved the direct application of paint to the canvas, creating dynamic and spontaneous compositions that emphasized the physical act of painting.
Rothko’s color field paintings, characterized by large blocks of color, aimed to evoke deep emotional responses in the viewer, while de Kooning’s gestural brushstrokes conveyed a sense of movement and energy. Abstract Expressionism represented a shift away from the figurative and narrative traditions of Western painting, focusing instead on the possibilities of abstraction and the artist’s subjective experience It’s Art. Hier gibt es eine
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